Despite an at times overpowering soundtrack, this is a quiet film which manages to build an unbearable tension from the simplest of moments.

Splatting onto the screen in a puddle of goofiness, self-awareness, screwball comedy antics and entertaining action set pieces.

A treat visually, the first two acts promise more beyond what we as an audience receive, and it hinders the overall experience.

love letter to journalism is a joy to watch and is arguably is one of Anderson’s best films to date as well as being one of the best films o

Spencer promises to be one of the films of the year, and a hot contender for awards season.

No Time To Die was meant to release nearly 18 months ago now, was it worth the wait?

The Guilty felt incredibly underwhelming, with the only bright spots coming from the stellar performances of Gyllenhaal and Keough.

The Many Saints Of Newark unfortunately suffers with its lacklustre plot, pacing and unsatisfactory depth.

Help is a heartbreaking and unfortunately accurate watch centering on the governments negligence of care homes during the pandemic.

Beautifully shot, perfectly acted and wonderfully metaphoric, The Green Knight fits tidily into A24’s roster.

An intriguing mystery and terrific performances are put forward, though unfortunately the behind the scenes footage may be more interesting.

Gunpowder Milkshake suffers with its basic story, but supplies some entertaining however clunky action sequences.

Kate is a fun and schlocky revenge thriller that appears to be pretty slick, but the lacklustre story stops it from reaching true heights.

David Yarovesky’s Nightbooks is a brand-new horror film for kids. Does it trick? Or does it treat?

It doesn’t reinvent the wheel but if you embrace that and let it take you on its predestined track, there is more to love than loathe.

Not fit for all audiences, Annette is a surreal, grandiose musical that is full of allegory and metaphorics yet manages to pull you in.

Well acted and charming, and though it doesn’t have too much to offer in the comedy department, it makes up for it in heart.

Featuring one of the most memorable twists and antagonists in recent horror history and Wan’s unique directorial flair.

Aretha Franklin, the queen of soul herself, has decided who should portray her in the biopic Respect, Oscar winner Jennifer Hudson.

Be prepared to be filled with pride, and love, and get ready to tap those toes along to one of the catchiest soundtracks of the year.