Corrin Evans' assured direction, immersive atmosphere and compelling central relationship make Corpus an occasionally intriguing slow burn.

Although it often struggles to balance its conflicting tones, Unholy Night is a entertaining watch offering up laughs, brutality and an unlikely hero.

Home Bodies is an inventive sci-fi horror that makes the most of its intriguing premise, committed performances and carefully crafted world.

An ambitious and often effective exploration of mental health and generational trauma, elevated by Morgan Holmstrom's committed central performance and an impressively eerie creature design.

Someone's Daughter is a frustratingly underwhelming thriller that squanders an intriguing premise and fails to generate much tension from either its psychological or survivalist elements.

Mackay's confident direction, strong performances and striking aesthetic ensure there is plenty to admire, making Our Effed Up World an imperfect but often genuinely affecting genre offering.

Godhead is an undeniably bold and committed piece of filmmaking, with strong performances and an atmosphere that makes its strangest ideas surprisingly compelling.

Addiction may be a little overdone in film, but Tight Lettuce manages to put a unique spin on it by delivering a relationship between father and son that feels very rare.

With the full line-up officially announced and the first screening occurring just next week, it’s time to get excited for 2026’s edition of Fantasia International Film Festival.