Normal takes the familiar tone of an action/heist trope and injects it with a healthy dose of Wheatley’s signature weirdness and Derek Kolstad’s penchant for high-octane action.

By disdaining from grand spectacles in favour of an intimate, layered exploration of class and personal collapse, No Ordinary Heist finds its strength. It trades flash for a grounded look at how ordinary lives can be pushed to the breaking point.

Peaky Blinders: The Immortal Man is a stylish, silly and camp send-off for Thomas Shelby that still has Murphy putting in great work with a fun supporting cast. But while it's a conclusive ending, it rarely feels more than an extended episode of the show than it does a real film.

Crime 101 is highly derivative of many classic crime-thrillers (especially Michael Mann’s work), but the vintage vibe, slow-pacing and character-focused approach makes for a better than expected heist-thriller.

Cross season 2 is a fun watch. At times bloated, the central message at the heart of the murders (wow, that’s a weird sentence to type) is political without being preachy. It’s a show that cares about its characters and why they act the way they do.