Despite its promising premise, Chum sinks faster than it can swim with an uninspired narrative leaving the film dead in the water.

Driven by Lopez’s elegant screen presence and Goldstein’s contrasting awkward charm, Office Romance manages to overcome its flaws. The blend of American backdrops and British gags occasionally clashes, and the plot offers few surprises.

Backrooms is a brilliantly disturbing triumph. Kane Parsons has successfully upended mainstream horror by proving that emptiness, silence, and a simple hum can be infinitely more terrifying than any monster in the dark.