Corrin Evans' assured direction, immersive atmosphere and compelling central relationship make Corpus an occasionally intriguing slow burn.

Although it often struggles to balance its conflicting tones, Unholy Night is a entertaining watch offering up laughs, brutality and an unlikely hero.

Home Bodies is an inventive sci-fi horror that makes the most of its intriguing premise, committed performances and carefully crafted world.

An ambitious and often effective exploration of mental health and generational trauma, elevated by Morgan Holmstrom's committed central performance and an impressively eerie creature design.

Someone's Daughter is a frustratingly underwhelming thriller that squanders an intriguing premise and fails to generate much tension from either its psychological or survivalist elements.

Mackay's confident direction, strong performances and striking aesthetic ensure there is plenty to admire, making Our Effed Up World an imperfect but often genuinely affecting genre offering.

Godhead is an undeniably bold and committed piece of filmmaking, with strong performances and an atmosphere that makes its strangest ideas surprisingly compelling.

Addiction may be a little overdone in film, but Tight Lettuce manages to put a unique spin on it by delivering a relationship between father and son that feels very rare.

With the full line-up officially announced and the first screening occurring just next week, it’s time to get excited for 2026’s edition of Fantasia International Film Festival.

Superbly written and acted, backed up further by stunning cinematography that utilises the apartment location perfectly, The Invite is an equally tension-filled and hilarious ride that quickly becomes Wilde’s best work yet - in both the acting and directing department.

Pitfall is definitely worth a viewing, especially for that final act that really is quite kick ass, though the journey to get there leaves much to be desired.

Offering up stellar performances, aesthetically stunning filmmaking and a true slice of life approach that forces you to forget it’s fiction, Erupcja is a triumph.

As Top Gun turns 40, we celebrate by exploring some of the work that solidifies Tom Cruise as one of Hollywood's biggest stars.

Although The Yeti boasts a solid cast, ample gore and an impressive visual style, the slow pace and lack of intrigue within the storyline prevents it from truly landing.

Weird, wacky and wonderful from start to finish, Dead Lover might be an uncomfortable watch for some in vulgarity, comedy and tone, but will give those who enjoy unique, freaky films an unforgettable time.

Featuring two memorable performances from Ferreira and Montgomery, Faces of Death is a thought-provoking horror for the modern age, offering twisted scares and a frightening villain.

If you’re up for some switch your brain off fun, an onslaught of colours and set pieces and an opportunity to point at things you recognise every five minutes, The Super Mario Galaxy Movie is for you.

What it lacks in thrills and typical entertainment value, it makes up for with heart, humour and notable filmmaking. Their Town is an indie triumph that deserves a wider audience than it’ll likely receive.

With entertaining action sequences, bonkers horror segments, committed performances and just 94 minutes of pure madness, They Will Kill You is an excellent addition into the ‘women covered in blood’ sub-genre.

Given the small budget and simplistic plot that has a lot of work to do in order to keep us intrigued, Last Ride is highly commendable. The naturalistic bond between the boys hooks you in and manages to keep you invested, whilst the slew of threats and horrors ensure you’re kept on your toes.