The Creep Tapes Season 2 is a fantastic continuation of both the series and the franchise, with Mark Duplass and Patrick Brice continuing to deliver entertaining and inventive work.

Although some segments of the anthology deliver weak performances and a repetitive plot, V/H/S/Halloween is an absolute blast.

The level of intrigue this movie emits is an absolute testament to the script - Swing Bout is an entertaining, engaging watch from start to finish.

The Toxic Avenger is everything it should be - batshit crazy, entertaining, gory and action-packed - and somehow, much more.

Blood Shine is as memorable as it is engaging. A hidden gem within FrightFest, this deserves a wider audience.

Fresh with ideas and thorough with themes, Self-Help may lack scares and spooks, but makes up for this with fine performances, a unique plot and fun imagery.

Effective in its grotesque nature and disturbing qualities, Pig Hill boasts a welcome if predictable twist and great sound design.

Short, snappy and incredibly gruesome, Your Host is a FrightFest standout that solidifies Medoff’s place on the map as a notable name in horror.

From the get-go it’s a weird, wild and wonderful time that never lets you in on where it’s going next, offering many a surprising element.

CognAItive certainly has plenty of good ideas to give it some steam, and the inventive technological kills are the films highlights.

With a killer third act and intriguing reveals, The Home is full of great ideas. However, the execution of the story and scares alongside slow paced run-time leave much to be desired.

Just as competently acted as the first instalment but convoluting what was once a straightforward, digestible thriller.

Featuring many unique ideas that elevate the familiar ones alongside them, Hellcat is a single location thrill ride that will likely impress audiences.

Redux Redux not only stands out from the crowd but gives the multiverse trope fresh new potential.

The Bearded Girl is a competent coming-of-age story, putting filmmaker Jody Wilson on the map as one to pay attention to.

Whether audiences like what Hold the Fort is going for or not, they’re bound to be entertained, and it’s a more than memorable experience.

Night Terror is a good example of a simplistic idea with a digestible message, that features a fan favourite sub-genre in its local legend, folk-like approach.

Offbeat, multigenerational and charming from start to finish, The Floaters is a sweet, funny coming-of-age comedy showcasing authentic Jewish storytelling.

Delightfully charming and fun with plenty of heartfelt moments filtered throughout, Portraits of Dangerous Women is a well-acted exploration of friendship.

An occasionally admirable watch, though the lack of horror, uninspired dialogue and meandering pace means it lacks bite.