You have seen it all before: From the jokes, the plot beats, to the reveals, the only difference is that it hasn’t looked quite this ugly.

Switch your brain off, jump into the cockpit and embrace the loud shooty bang bang and bone snapping fisticuffs.

A slow-burn behemoth of a feature that unravels meticulously over the course of its 158 minute runtime.

M3GAN is a sharp, fast paced jolt of sci-fi horror with lashings of comedy, however it may not reinvent the wheel in terms of its story.

A powerhouse lead performance, an important topic of conversation and strong direction certainly make Till worth a viewing.

Emancipation finds itself being a mediocre to average affair that has genuine potential and a smattering of standout moments.

Troll is a decent slice of B-movie monster fun that certainly is on par or better than a lot of Hollywood’s attempts in recent years.

Violent Night is certainly going to please action fans wanting a drizzling of blood on their Christmas pudding this season.

A sharp tongued, bitingly funny and twisty tale of delectable disturbing-ness backing a host of standout performances.

Can now be added to the horror highlights of the year with its lean, simplistic, claustrophobic and occasionally shocking tale of paranoia.

The myriad of grotesque, creepy ideas, delectable atmosphere and del Toro’s intros to each episode will please horror fans right off the bat

From the generic flashback opening all the way through to the laughable final scene, this is an exercise in “seen this all before".

Hellraiser is a somewhat frustrating experience as there are some genuinely fantastic narrative ideas on display.

Werewolf by Night sees the MCU baring its fangs in creative and bloody fashion.

When it comes to its balancing of plot threads, multiple characters and multi-genre balancing, it buckles under its own weight throughout.

The Woman King is a surprising crowd pleaser and showcases a host of brilliant performances and satisfying action.

‘Love’ might just be the key word that defines this film. It is for the fans that love these characters.

I was skeptical going into Crimes of the Future, however Cronenberg’s return after 8 years was (mostly) a satisfying event.

Swinton and Elba make for a great pairing, Miller’s stylistic choices are fantastic throughout.

The Invitation is an utterly forgettable, uninspired affair that fails both at its scares and its dark romance.