Whether you’re planning your next trip to the cinema or simply want to know what’s coming up, we’ve rounded up the biggest films releasing in cinemas this November, including their UK release dates and everything you need to know before they arrive.

Streaming once promised to revolutionise how we watch films and television, but rising subscription costs, declining quality and endless content have left audiences frustrated. With cinemas embracing premium formats and the big-screen experience, could streaming fatigue be driving audiences back?

Don’t get us wrong, Digger has plenty to say about climate change, the fallacy of oil, and the pandemic of accountability, but it says most of it within 30 minutes and struggles to drill any deeper. Cruise and co save Digger from disaster with some entertaining performances, but black gold this is not.

With plenty of new releases heading to cinemas over the coming weeks, there is something for every kind of film fan to look forward to. Whether you’re planning your next trip to the cinema or simply want to know what’s coming up, we’ve rounded up the biggest films releasing in cinemas this October.

Reminders of Him serves as a touching tale on the human capacity for change. While we are all shaped by our darkest mistakes, we are not permanently defined by them.

Peaky Blinders: The Immortal Man is a stylish, silly and camp send-off for Thomas Shelby that still has Murphy putting in great work with a fun supporting cast. But while it's a conclusive ending, it rarely feels more than an extended episode of the show than it does a real film.

The Bride! is an electrically charged punk rock infused big messy swing of a flick that certainly won’t be for everyone. Buckley and Bale are giving their all, the film looks fantastic and has a myriad of bonkers moments.

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a confident, colourful original with big ideas, inventive imagery and enough warmth to stick the landing. After a few years of “fine,” this felt like a genuine step back in the right direction.

The Scream franchise marks a staggering 30-year legacy, with Neve returning as the pinnacle final girl and Williamson in the directing chair, it’s a poetic homecoming. Let’s look back over the 3-decade span of a culturally adored franchise.

The most infamous ‘Final Girl’ is back on our screens for a slasher flick that knows when to scream and when to laugh.

Good Luck, Have Fun, Don't Die is a fantastic return for Gore Verbinski. Packed with fun ideas, enjoyable characters and an original take on the time travel formula with a venomously anti-AI approach that's refreshingly blunt and satirical in all the best ways.

The Moment will no doubt land more with fans of the Brat era, but for casual viewers this is still a solidly entertaining, at times bitingly funny, chaotic and unpredictable romp.

Cold Storage is derivative, tonally confused, visually cheap and missing the practical-effects creativity that could have made it a fun viral horror-comedy.

Wasteman is a brutally grounded, intense and often uncomfortable British prison drama that lands with constant unease.

Whistle is a stylish, gory throwback that knows its horror history but is too content to repeat it. While Dafne Keen’s performance and some genuinely gnarly kill sequences keep it afloat, the film’s lack of original narrative depth and its over-reliance on established tropes prevent it from becoming a new classic.

Crime 101 is highly derivative of many classic crime-thrillers (especially Michael Mann’s work), but the vintage vibe, slow-pacing and character-focused approach makes for a better than expected heist-thriller.

The Strangers: Chapter 3 is a polarizing conclusion. Departing from 2008’s less is more vibe and pivots into a dense, lore-heavy nightmare.

Looney Tunes: The Day the Earth Blew Up is a very easy film to like. It’s funny, visually delightful with its vibrant 2D animation, and made with a clear affection for these characters and their legacy.

Send Help isn’t subtle, it’s a wild, witty, ride. It’s an exploration of human behaviour when civilisation is gone and roles are reversed. If you like your comedies with a side of tension, your survival stories with a twist of absurdity, and your films filled with energy and heart, this is one island trip you don’t want to miss.