Lands perfectly in Lanthimos' canon of unconventional, unpleasant filmmaking, which makes him one of the most interesting working directors.

Starve Acre is a solidly atmospheric and engaging folk horror gem that certainly will tick a lot of boxes for diehard fans of the genre.

It’s so damn fun, fast paced and filled with creativity and silliness that it is impossible to let out a cock-a-doodle-do in happiness.

Maestro sees Bradley Cooper at the top of his game. It’s crafted perfectly and headed up by two incredible performances.

The Holdovers has broken that Christmas classic spell as it instantly settles itself alongside films that will be remembered forever.

Ferrari is a behemoth of a film that successfully uses Enzo Ferrari’s life to tell an interesting story.

Whether you're in floods of tears, or you end up revisiting it in your head and finding more meaning, this will not leave you unaffected.

Scorsese proves with Killers of the Flower Moon that he is still working at the top of his game and offers a late career landmark feature.

Transcending its predecessor in every way, it’s darker, funnier, and more self-aware. Most importantly, it sticks its ever-so-wicked landing