Enjoy the film for what it is. Comparing Ghostbusters: Frozen Empire to the original would be foolish.

Sleeping Dogs has no heart, no intrigue and doesn't deliver as competent a mystery as it thinks it does.

Civil War is a biting, intense, gritty and visceral action thriller crossed with a character building road trip structure.

Late Night with the Devil has you leaving the cinema with a thousand questions, but in the very best way.

Arriving with a cracking 84 minute runtime, Drive Away Dolls relishes in its unabashedly riotous, motor mouthed, punk rock spirit.

Road House is one of the more competent action flicks of the year thus far, helmed by a stunning lead performance from Jake Gyllenhaal.

It’s rare for a film to earn its 18 rating, however Immaculate certainly is worthy of that sinister stamp.

The New Boy will open your mind and your heart, as you’re taken on a spiritual journey of an orphan and a nun navigating their beliefs.

All You Need is Death has some creepy and unique ideas, its just a shame that it is bogged down by an excruciatingly slow 2nd and 3rd act.

Damsel boasts an excellent performance from it's leading lady and a well-designed dragon with plenty of screen-time.

Imaginary has a core idea with huge potential that is warped into an easily digestible dull horror that lacks palpable thrills.

Edge of Summer is rough around the edges, but the emotionally affecting narrative sees it rising from the dark depths.

Spaceman will fall into the abyss of space itself by being one of the most forgetful films to come out this year.

Dogman is full of tonal inconsistencies yet has a lot of heart and tells an engaging story.

On the surface The Dead Don't Hurt is a vast, sprawling epic, but if you peer beneath you’ll find intimate beauty.

The success of Bleeding Love comes from its mirroring of real life. Films like this can fall on extreme ends of the spectrum.

Ricky Stanicky is oddly put together, with missed opportunities, and dead air.

La Chimera has its head above the clouds, and the view is beautiful.

With an entire cast full of tremendous performances, Lisa Frankenstein is an 80's-inspired joy throughout.

Forget Saltburn, Love Lies Bleeding is true ‘cinema for sickos’.