The Invitation is an utterly forgettable, uninspired affair that fails both at its scares and its dark romance.

Samaritan is about as uninspiring as the names of its hero and villain.

Beast is the definition of disposable ‘turn your brain off’ entertainment.

Leaning on the fear of heights and ramping it up to another level, Fall makes your palms sweaty and knees weak at every opportunity.

Although this action filled, comedy laced, throwaway flick doesn’t reinvent the wheel it’s a whole lot more fun than it has any right to be.

It's gory, it's twisted, it subverts expectations and most importantly, Orphan: First Kill has fun.

A riveting thriller filled with heart thumping action and, what seems to be the norm for her these days, an impeccable turn by Aubrey Plaza.

The psychological build up makes way for an explosive and disturbing ending that will leave audiences wincing after the credits have rolled.

I enjoyed Luck as much as I’ve enjoyed other films, smiling as I watch them but then never thinking about them again.

Simultaneously delivering both what the audience expect and also substantially switch up any expectations they might have had going in.

Not Okay is a hilarious, accurate and powerful exploration into social media, cancel culture and gun crime, that balances its tones well and

Leitch turns Isaka’s novel into nearly poetically choreographed stunts and combat scenes between charismatic and exaggerated characters.

Prey will most certainly reignite interest the Predator franchise with a fierce enemy and a powerful performance.

Honor Society is charming, hilarious and clever, with a fresh plot that provides a new take on the genre.

DC League of Super-pets has no right being as good as it was, but that is the magic of animation.

Ron Howard certainly delivers a consistently riveting, engaging, incredibly claustrophobic and anxiety inducing affair.

Where the Crawdads Sing is a largely dull misfire that had potential to be a breath of fresh air in the cinematic landscape.

In Layman's terms, it's a Gosling vs. Evans showdown, which unfortunately sounds more exciting and promising than it actually was.

Never has a film that I’ve seen pack such a big emotional punch with such minuscule characters.

Anything’s Possible reinvents the YA-romantic comedy that is brimming with empathy.