A mystery thriller with a salacious bow tied on top, Conclave is not afraid to make a real statement or two along the way.

Hugh Grant swaps charm for chills this Halloween in Heretic – and it begs the question, why has he not done more horror?!

Whatever your opinion on The Substance itself, Moore and Qualley announce themselves as potential powerhouses of the horror genre.

For those who are unfamiliar with Miller’s work, 'Lee' is a much-needed education packaged as a very watchable big-screen biopic.

Blink Twice has seamlessly slipped into the realm of unmissable 2024 cinema. Blink and you’ll miss it!

Borderlands departs from the source material, creates mind-numbing new lore for the sake of convenience.

Osgood Perkins’ Longlegs is the unsettling horror event of the year.

Addictively immersive and bewitchingly bonkers as it not only lives up to Fury Road but enriches and expands the franchise.

The Fall Guy is the love letter Hollywood stunt workers have long since deserved.

Sting weaves two different webs of horror and humour, but is never quite able to connect them in a meaningful or satisfying way.

Monkey Man may not create a brand-new genre, but it oozes creativity deserving of praise outside the John Wick bubble.

Sometimes I Think About Dying is by far Daisy Ridleys most exquisite performance to date.

Godzilla x Kong: The New Empire is beautifully unserious and monstrously entertaining. And sometimes, that’s really all you need.

Enjoy the film for what it is. Comparing Ghostbusters: Frozen Empire to the original would be foolish.

Late Night with the Devil has you leaving the cinema with a thousand questions, but in the very best way.

This smorgasbord of swear words is certainly not for the faint of ear, but Wicked Little Letters story runs deeper than its vicious vocab.

Femme is a complex thriller that maintains a state of suspense from start to finish, despite Jules’ apparent thirst for revenge.