
By Romey Norton - February 24, 2025
Under the Burning Sun is a poignant exploration of resilience and societal constraints, set against the backdrop of a dystopian society where abortion is strictly prohibited. The film centers on Mowanza, a young woman struggling with an unwanted pregnancy in a world that offers her no choices. Written and directed by Yun Xie this cinematic piece delves deep into the personal and political turmoil women face in oppressive environments.
From the opening scene, the audience is thrust into a barren, desolate landscape that mirrors Mowanza's internal struggle. The cinematography captures the starkness of her reality, using muted tones and expansive shots to emphasise her isolation. There’s a wonderful contrast between light and dark shots, which could reflect Mowanza’s constant conflicting emotions. The director's choice to use handheld cameras during intimate moments allows viewers to feel the raw emotion and urgency of the protagonist's predicament.

The narrative is both heart-wrenching and thought-provoking. Mowanza's journey is long and fraught with obstacles, from societal judgment to the physical challenges of seeking help. We watch as Mowanza, armed with only a half-empty water bottle and a battered car, embarks on a journey across the desert toward the lush land of Iropus where she’s told she can get an abortion. There are some graphic scenes of abuse, so the film does not shy away from the many traumas women can go through and what they’re prepared to go through.
Stephanie Pardi gives an excellent performance; one that is believable and honest. Her character is rich in emotion, ranging from strong to vulnerable and you can’t help but feel sorry for her. The supporting cast delivers commendable performances. Their interactions provide a glimpse into the communal mindset, highlighting the cultural and generational divides that influence perceptions of morality and choice. There’s a tender scene between Pardi and Stevie Kincheloe (who plays Mavis) as they share their stories under the stars.
The musical score complements the film's tone. A haunting melody recurs during pivotal moments, encapsulating the despair and hope that coexist in Mowanza's journey. There is not an overuse of dialogue; there are beautiful moments in silence where audiences are allowed to think, reflect, and soak up the atmosphere in the shot.

However, the film is not without its flaws. At times, the pacing lags, particularly in the second act when many scenes aim to provide depth, but come across as repetitive. Additionally, some secondary characters lack development, serving more as symbolic representations than fully fleshed-out individuals.
The ending is filled with high emotion, and as an audience, you’ll be left feeling sad and a little bit sick to your stomach. It’s unapologetically graphic, heightening the female experience.
Under the Burning Sun succeeds in shedding light on a pressing issue. The film challenges viewers to reflect on the implications of denying women agency over their bodies and the cascading effects such denial has on society at large. The film's conclusion serves as a call to action, urging audiences to engage in discourse and advocate for change. A difficult, but important watch.
Under the Burning Sun had it's sold out world premiere February 22


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