A moody, sun-damaged noir with heart, Luderdale may not reinvent the genre, but it’s still an intriguing and entertaining watch.

Roads of Fire has done what great documentaries should: it opens our eyes and refuses to let us look away.

Film Focus Online sat down with Jack Howard to discuss his jump from comedy to drama, the film itself, working with Caroline Goodall and Hannah Onslow, and more.

This documentary is a thoughtful, incisive, and occasionally startling portrait of Patrick Oliphant, one of the most daring political cartoonists of the 20th century.

Smart, strange, and soaked in Houston weirdness — Someone Dies! turns a time-traveling sink into one of the most original indie comedies of the year.

A brave, unflinching coming-of-age drama that captures the messy, painful, and transformative reality of growing up.

With its whimsical spirit, practical effects, and strong central duo, Lombardi’s film is a lovely little fantasy film perfect for the kids to watch when it's raining outside. 

A warm, funny, and at times chaotic portrait of community, friendship, and survival during one of the most uncertain moments in recent history

Torsten Ruether’s drama is more about emotional endurance than physical triumph, more about human connection than championship belts.

Ten Doors is a curious little indie. It doesn’t always stick the landing, but it deserves credit for trying something different within a genre that often plays it safe.

It’s an invitation: to listen differently, to see history through new eyes, and to appreciate the artistry of storytelling in Sign Language.

Live and Die in East LA paints a gritty portrait of struggle, loyalty, and survival in one of Los Angeles’ most storied neighbourhoods.

Joe Hollow’s debut as writer-director-star feels personal, messy, and uncompromising. And because of this, Flesh of the Unforgiven is not horror for everyone.

Welcome to 190 Lorimer's greatest strength lies in making everyday frustrations feel entertaining, without sanding down the edges that make them believable.

The level of intrigue this movie emits is an absolute testament to the script - Swing Bout is an entertaining, engaging watch from start to finish.

Baby Brother is proof of what independent filmmakers can achieve with passion, resourcefulness, and a story worth telling.

With themes of obsession, longing, and intrusion, Orchid is a haunting addition to the indie horror landscape.

Super Happy Fun Clown isn’t a film for everyone, it’s messy, outrageous, and deliberately provocative. But that’s also its charm.

For fans of raw revenge cinema, and for those intrigued by the collision of found footage and action, it’s a refreshing jolt of energy.

A Stranger in the Woods stands out as a smart, slow-burning take on found footage horror.