The Death of Robin Hood is a joyless, dull and often laughably edgy take on Robin Hood, one that often dips into what feels like a parody.

A solid throwback buddy action-comedy carried by Branagh’s excellent work, some sharp action and enough genuine chemistry to overcome its more formulaic instincts and Reynolds’ usual bag of tricks.

The Runner is exactly what it appears to be: a silly, efficient, low-ambition real-time thriller that knows what it is, and quite literally, runs with it.

One Night Only doesn't always flesh out its absurd premise of “The Purge with sex” the best it can, but it does make way for a charming, funny and very easy watching rom-com. Monica Barbaro and Callum Turner make for incredibly likeable leads with great chemistry in a one crazy night story that mostly lands.

A few funny moments and a brief run-time keep Spa Weekend from being a total wash, but it's mostly just a tame, formulaic and deeply forgettable comedy.

Unfortunately, The Dog Stars does so little to actually stand out against so many other post-apocalyptic films, as it hits every beat you would expect with little to no surprises.

Sunny Dancer is a sunny delight. A very strong outing from George Jaques, giving a unique and fresh spin on the coming-of-age genre in a warm, funny and gut-punching crowd-pleaser.

Tony manages to be a really nice and insightful look at a brief period in Anthony Bourdain's life, failing to fall into biopic tropes and clichés, instead feeling like a character-focused hangout film.

Soulm8te is a generic and predictable evil android slasher made of parts you've seen before with no fresh new angles. Outside of one or two moments, just very forgettable.

Evil Dead Burn is the weakest of the franchise while still containing enough of what makes the series worthwhile to frustrate rather than disappoint entirely. Vaniček is clearly a capable filmmaker and there is genuine craft here alongside the genuine misses.

Toy Story 5 is another funny, well animated and genuinely heartfelt entry that simply cannot match the heights of what came before it and weighed down by a slightly dated central message.

With the release of Steven Spielberg's much anticipated latest film Disclosure Day, here are eleven of the most iconic moments from a career that shows no signs of having peaked.

Jack Ryan: Ghost War is a very faithful follow-up “Film” to the Amazon Prime series. Of which I mean it's a generic spy thriller that is absolutely nothing you haven't seen done better hundreds of times.

A film that remembers why the franchise belonged in cinemas in the first place and makes a genuine and largely successful case for its continued presence there.

A moving, sweet and genuinely charming piece of work that deserved considerably better than being quietly deposited on Netflix with minimal fanfare.

Ahead of the release of the latest instalment in the Star Wars universe, we attended the UK fan event for The Mandalorian and Grogu. The event showcased 20 minutes of exclusive footage along with a Q&A with Pedro Pascal, Jon Favreau, Sigourney Weaver, Kathleen Kennedy and Grogu himself.

Malcolm in the Middle: Life's Still Unfair is far better than it had any real right to be and a genuine benchmark for how these revivals should be approached.

Fuze is a disposable, but watchable heist-thriller that starts strong and fizzles out by the end. A fine and acceptable British thriller, just not one that stands out or leaves a lasting impression.

Mike & Nick & Nick & Alice is a high-concept action-comedy-sci-fi-romance that juggles all its genres for a blast of a surprisingly coherent and fresh take on the “One Crazy Night” sub-genre.

A scathing hit-piece on a disgusting online culture fuelled by outrage, vapidness and a desperate grab for wealth and fame over any morals as Theroux allows these people to freely talk and dig themselves into deeper contradictory holes.