If you’re craving something feel-good but not fluffy, musical but not a full-blown song-and-dance, Do I Shock U Like Lightning will absolutely hit the spot.

The Accountant 2 is one of those rare joys that takes everything that worked from its predecessor and doubles down on it.

Fréwaka is an eerie, well shot and atmospheric gem that is well worth seeking out if you're a fan of the folk horror genre.

Havoc is flawed but a blast once the action kicks in with Hardy’s presence and Evans’ kinetic genius shining through.

You’re not just watching Amber fight for her child, you’re watching her help change the course of rare disease research. The Zebra & the Bear is a must watch.

Treading Water is raw, messy, and gripping, even if it stumbles over with repetition and an overstretched runtime.

Sound Spring pirouettes between the poetic and the absurd, inviting us to reconsider how we tell history, how it’s told, and who gets to tell it.

Warfare is an intense, gruelling, bloody, shocking and unique portrayal of combat that utilises its real time gimmick to great effect.

If you are looking for a perfect way to kill two hours with a film that leaves blood up the walls and a smile on your face – Another Simple Favour does the trick.

What I really like about this indie film is that It’s not trying to reinvent the genre, just to dig into something real. And it succeeds.

A slow-burn that bleeds style, soul, and sharp-toothed terror - Sinners is Coogler’s boldest swing yet.

Freaky Tales was a surprising gem that will no doubt please fans of 80stalgia, cult flicks and geeky move trivia.

The Penguin Lessons is both a fun story centering on a man and his strange yet adorable pet, and an emotional historical picture of life in Argentina under the dictatorship.

The Ugly Stepsister isn’t just a great classic reimagining, but one of the best we have, especially in the horror department.

The Amateur is a solid vigilante yarn, predictable yet engaging, a revenge tale that thrives on Malek’s oddball performance that chooses brains over brawn, Fishburne’s support and sturdy direction.

As the latest entry in Dark Sky Films’ impressive horror catalog, The Killgrin solidifies itself as a must-watch for fans of cerebral, dread-infused storytelling.

Honest, human, and utterly captivating, Because We Are Too Many is a standout example of independent British storytelling.

While A Desert may not be for everyone, as its deliberately slow pace and abstract narrative require patience.

Whether you’re a crypto evangelist, a curious outsider, or a staunch skeptic, Minted is an essential watch.

The Encampments is a historical document that will serve a purpose for years to come.