Young Woman and the Sea is the latest sports biopic from Disney that stands out from others because it refuses to keep the story too safe.

Stopmotion is successful in creating an eerie atmosphere, and is helmed by a fantastic lead performance.

An admirable effort to give new life to the wry traits and antics Garfield is known for, and serve as an entry point for younger generations

The Boy in the Woods is not only moving, but serves as an important reminder of how devastating war is, especially to innocent children.

Disposable characters, re-hashed ideas and shoddy VFX combine to put Atlas right in amongst that ever growing forgettable Netflix category.

Addictively immersive and bewitchingly bonkers as it not only lives up to Fury Road but enriches and expands the franchise.

Nightwatch: Demons Are Forever is a sluggish, derivative and uninspired sequel that I’m not entirely convinced that anyone was asking for.

While IF has heart and charm, it’s hard to ignore that it gets so wrapped up in itself that it forgets its primary target audience – kids.

This Time Next Year is a charming British rom-com that is filled with classic tropes, but is still enjoyable and fun.

Hoard is filthy, imaginative and one of the most memorable, arresting films of the year.

An exhausting, grating, incoherent and dull experiment that had the potential to be a cool experiment and a unique cinematic experience.

Kingdom of the Planet of the Apes provides us with a stunning lived in world that expands on what has come before it.

The adaptation of the beloved young adult novel Turtles All the Way Down offers a poignant but shallow depth of insight into mental illness.

Genuine chemistry, steamy sex scenes and a romance worth rooting for make The Idea of You a blast.

The Last Stop in Yuma County puts Galluppi on the map as a filmmaker to keep an eye on.

The Fall Guy is the love letter Hollywood stunt workers have long since deserved.

The smattering of solid shots and competent direction aside Witch has nothing to offer horror fans.

Rebel Moon-Part Two: The Scargiver is a confused chaotic mess. The characters are hollow, the script stale and the use of slow-mo tiresome.

Sting weaves two different webs of horror and humour, but is never quite able to connect them in a meaningful or satisfying way.

Funny, horrifying and wildly unique, Abigail is a triumph.