The Burning Season succeeds in its pursuit of telling a love story in reverse. On paper this shouldn’t work but it makes it more intriguing.

Bring Him to Me is a very forgettable and bland crime drama thriller that offers very little originality and thrills.

Villeneuve has provided a grand epic of cinema, which may just go down with the Sci-fi genre greats.

Ordinary Angels is equal parts inspiring and emotional, helmed by two incredible lead performances and telling an important story.

How Deep is the Ocean has a lot of promise but fails to deliver as it makes safe choices and is badly shot.

Suncoast is a beautiful yet heart-breaking depiction of growing pains, grief, friendship, loneliness and much, much more.

Eureka struggles under the weight of it's own experimental nature, where the unique & interesting approach jumps on a sluggish 3-part story.

Within The Promise Land is some exquisite storytelling, phenomenal acting, and a plethora of technical qualities that allow it to soar.

This smorgasbord of swear words is certainly not for the faint of ear, but Wicked Little Letters story runs deeper than its vicious vocab.

Madame Web is a complete misfire of clashing plots, dysfunctional pacing, awful action beats and lacklustre fan-service.

I Love You, Guys is the perfect example of what can be achieved cinematically, and narratively, in such a miniscule time frame.

When it comes to the action, Land of Bad is excellent. Not only is it fast-paced, entertaining and brutal, but is superbly shot.

Some Other Women boasts a strong cast whilst they give decent performances, the script becomes too confusing towards the end.

American Fiction balances sharp tongued humour and weighty drama very effectively, as well as adding its own politically charged punch.

You can do so much that really tests the boundaries of this genre, Marmalade experimented and mastered a few of them.

Bob Marley: One Love is significantly carried by a fantastic lead performance and its electric musical inspiration.

Monolith is an engaging, unique and cleverly made single-location thriller, fronted by an excellent performance from Lily Sullivan.

Argylle is swamped with mystery - there are plot twists at every turn! - but you get the answer sheet right from the beginning.

Out of Darkness is a superbly crafted horror flick that may not stick the landing for all, but definitely impresses on it's way there.

Mean Girls (2024) is at its most fun when it’s embracing the fact it’s a musical version of the beloved story.