American Fiction balances sharp tongued humour and weighty drama very effectively, as well as adding its own politically charged punch.

You can do so much that really tests the boundaries of this genre, Marmalade experimented and mastered a few of them.

Bob Marley: One Love is significantly carried by a fantastic lead performance and its electric musical inspiration.

Monolith is an engaging, unique and cleverly made single-location thriller, fronted by an excellent performance from Lily Sullivan.

Argylle is swamped with mystery - there are plot twists at every turn! - but you get the answer sheet right from the beginning.

Out of Darkness is a superbly crafted horror flick that may not stick the landing for all, but definitely impresses on it's way there.

Mean Girls (2024) is at its most fun when it’s embracing the fact it’s a musical version of the beloved story.

Femme is a complex thriller that maintains a state of suspense from start to finish, despite Jules’ apparent thirst for revenge.

The Color Purple boasts excellent performances, the musical numbers have a myriad of highlights and the production design is impressive.

Lord of Misrule is perfect for fans of folk horror, as William Brent Bell knows the exact ingredients needed to cook up a competent one.

In Broad Daylight manages to not only captivate but also raise awareness about an issue that evades the public eye.

The Kitchen is far from being the finished product, but for a directional debut, it’s a very sturdy first entry for the directing duo.

Baghead bites off more than it can chew and fails to fill out it's feature-length run-time with suitable scares.

Birth/Rebirth is a suitably disturbing and grisly affair that certainly has its shocking moments and revels in its moral ambiguity.

Suitable Flesh is memorable, sinister, twisty and engaging, and is an excellent addition to the Shudder streaming service.

On the Line is a mediocre thriller-inflicted drama that boasts a strong central performance, well crafted production and moments of tension.

Although Lift isn't a bad movie, it certainly won't stick in your mind for long due to the standard formula it follows.

A true mixed bag. It provides plenty of gory kills, a memorable villain and a premise that feels familiar yet fun and enjoyable.

Night Swim sinks like a stone in terms of scares and enjoyment and wastes what could have been a self aware, intentionally silly gimmick.

Which Brings Me to You provides what is expected, and can luckily boast strong performances, believable chemistry and a breezy run-time.