I was skeptical going into Crimes of the Future, however Cronenberg’s return after 8 years was (mostly) a satisfying event.

A disappointing affair; somehow manages to be both not as good as the original and too similar, begging us to question why it has been made.

Moonage Daydream is best described a fever dream that was bottled up and displayed as an exhibit at the MoMA museum that has come to life.

A disturbing, coming-of-age body horror that has an obvious yet engaging story-line, terrific performances and gorgeous visuals.

Arguably one of the worse live-action re-makes to date and it makes me wonder, “Just how much more of this do we have to endure?”

Hilariously well acted and a breath of fresh air into the horror genre, full of Gen Z humour, fake friends, blood, tears and bad decisions.

While The Silent Twins is successful in many things, the parts and craftsmanship are better than the whole.

See How They Run may not live long in the memory, but you're sure to have a fun time at the pictures, piecing together this murder mystery.

Swinton and Elba make for a great pairing, Miller’s stylistic choices are fantastic throughout.

I Came By is a middle of the road thriller that manages to shock and thrill, but gets too convoluted in its plot.

The Invitation is an utterly forgettable, uninspired affair that fails both at its scares and its dark romance.

Samaritan is about as uninspiring as the names of its hero and villain.

Beast is the definition of disposable ‘turn your brain off’ entertainment.

Leaning on the fear of heights and ramping it up to another level, Fall makes your palms sweaty and knees weak at every opportunity.

Although this action filled, comedy laced, throwaway flick doesn’t reinvent the wheel it’s a whole lot more fun than it has any right to be.

It's gory, it's twisted, it subverts expectations and most importantly, Orphan: First Kill has fun.

A riveting thriller filled with heart thumping action and, what seems to be the norm for her these days, an impeccable turn by Aubrey Plaza.

The psychological build up makes way for an explosive and disturbing ending that will leave audiences wincing after the credits have rolled.

I enjoyed Luck as much as I’ve enjoyed other films, smiling as I watch them but then never thinking about them again.

Simultaneously delivering both what the audience expect and also substantially switch up any expectations they might have had going in.