Baby Brother is proof of what independent filmmakers can achieve with passion, resourcefulness, and a story worth telling.

With themes of obsession, longing, and intrusion, Orchid is a haunting addition to the indie horror landscape.

Super Happy Fun Clown isn’t a film for everyone, it’s messy, outrageous, and deliberately provocative. But that’s also its charm.

For fans of raw revenge cinema, and for those intrigued by the collision of found footage and action, it’s a refreshing jolt of energy.

A Stranger in the Woods stands out as a smart, slow-burning take on found footage horror.

From the get-go it’s a weird, wild and wonderful time that never lets you in on where it’s going next, offering many a surprising element.

It's the kind of hand-drawn animated feature that reminds us why this medium remains so powerful and necessary.

Fluxx is ambitious, stylish, and unsettling. This film is for an audience who appreciates bold, unconventional storytelling.

The Blood of Saltville may not be perfect, but it's the kind of thoughtful, regionally flavoured thriller that reminds us why independent cinema matters.

American Trash is a raw and risk-taking debut from Robert LaSardo. It ditches genre clichés in favour of something far more meditative and emotionally honest.

Tribe is a quietly powerful survival-psychological thriller that invites introspection and sensory immersion.

A love letter to conventions, zombie movies, and the weird community spirit that binds geeks together, even during the end of the world.

A smart and daring piece of indie cinema that rewards viewers who are willing to let go.

Delightfully charming and fun with plenty of heartfelt moments filtered throughout, Portraits of Dangerous Women is a well-acted exploration of friendship.

Whether you’re a boxing fan, a documentary lover, or someone simply searching for a story with real heart, this is a film that connects.

It asks audiences to open their minds, hearts and souls and offers a sad, yet positive outlook to the afterlife.

An occasionally admirable watch, though the lack of horror, uninspired dialogue and meandering pace means it lacks bite.

This lush, emotional, and joyfully melodic indie gem, Dream!, from Thailand, reawakens the long-silent voice of a nation’s musical legacy.

In an era defined by burnout, distraction, and misinformation, The Invisible Doctrine invites us to stop scrolling and start seeing.

A blood-soaked, totally bonkers backwoods horror comedy that wears its low-budget heart on its shredded plaid sleeve.