New Life is one of those frustrating features that the majority of its ideas are better than execution.

Bad Boys: Ride or Die was a bullet riddled, cackle worthy blast of throwback fun that was a step up from my expectations.

Nightwatch: Demons Are Forever is a sluggish, derivative and uninspired sequel that I’m not entirely convinced that anyone was asking for.

See what Jack got up to at the early special screening of StudioCanal's Sting, it's every arachnophobes worst nightmare.

An exhausting, grating, incoherent and dull experiment that had the potential to be a cool experiment and a unique cinematic experience.

The smattering of solid shots and competent direction aside Witch has nothing to offer horror fans.

Zendaya is an absolute force of nature. A ferociously driven, seductive, unpredictable and dangerously beautiful presence.

Back to Black is a mixed bag that largely falls into the average side of biopics and is rendered largely pointless due to the superior doc.

Mothers’ Instinct is a decently entertaining yet ultimately disposable throwback thriller drama.

An overstretched plot completely takes away from the interesting opening act and renders Lovely, Dark and Deep a bit of a chore.

Civil War is a biting, intense, gritty and visceral action thriller crossed with a character building road trip structure.

Arriving with a cracking 84 minute runtime, Drive Away Dolls relishes in its unabashedly riotous, motor mouthed, punk rock spirit.

It’s rare for a film to earn its 18 rating, however Immaculate certainly is worthy of that sinister stamp.

All You Need is Death has some creepy and unique ideas, its just a shame that it is bogged down by an excruciatingly slow 2nd and 3rd act.

Imaginary has a core idea with huge potential that is warped into an easily digestible dull horror that lacks palpable thrills.

Bring Him to Me is a very forgettable and bland crime drama thriller that offers very little originality and thrills.

Madame Web is a complete misfire of clashing plots, dysfunctional pacing, awful action beats and lacklustre fan-service.

American Fiction balances sharp tongued humour and weighty drama very effectively, as well as adding its own politically charged punch.

Bob Marley: One Love is significantly carried by a fantastic lead performance and its electric musical inspiration.

The Color Purple boasts excellent performances, the musical numbers have a myriad of highlights and the production design is impressive.