Tony manages to be a really nice and insightful look at a brief period in Anthony Bourdain's life, failing to fall into biopic tropes and clichés, instead feeling like a character-focused hangout film.

Soulm8te is a generic and predictable evil android slasher made of parts you've seen before with no fresh new angles. Outside of one or two moments, just very forgettable.

The Devil's Mouth succeeds by being an emotional, relatable, and deeply thrilling ride. If you struggle with the feeling of being trapped, it might be best to miss this one.

By focusing heavily on human panic and pitting the characters against both the ocean and each other, The Bay builds genuine suspense across the tightly wound 86-minute runtime

As superhero films continue to evolve, this is exactly the kind of heartfelt storytelling that reminds audiences why Spider-Man remains one of cinema's greatest heroes.

Corrin Evans' assured direction, immersive atmosphere and compelling central relationship make Corpus an occasionally intriguing slow burn.

Although it often struggles to balance its conflicting tones, Unholy Night is a entertaining watch offering up laughs, brutality and an unlikely hero.

Home Bodies is an inventive sci-fi horror that makes the most of its intriguing premise, committed performances and carefully crafted world.

An ambitious and often effective exploration of mental health and generational trauma, elevated by Morgan Holmstrom's committed central performance and an impressively eerie creature design.

Moana (2026) marks a dark day in Disney’s live action ventures. The final justification for these remakes has now been spent and there is no excuse left.

Heartstopper Forever closes the book without diminishing the journey, leaving behind a story that will continue beating in the hearts of those who found pieces of themselves within Nick, Charlie and everyone who walked beside them.

Mackay's confident direction, strong performances and striking aesthetic ensure there is plenty to admire, making Our Effed Up World an imperfect but often genuinely affecting genre offering.

Godhead is an undeniably bold and committed piece of filmmaking, with strong performances and an atmosphere that makes its strangest ideas surprisingly compelling.

Addiction may be a little overdone in film, but Tight Lettuce manages to put a unique spin on it by delivering a relationship between father and son that feels very rare.

This is the kind of filmmaking that reminds us why cinemas exist. It's immersive, emotionally rich, technically astonishing, and unapologetically ambitious. Christopher Nolan continues to push cinema forward while honouring everything that makes the medium special. The Odyssey is the best film of the year.

Evil Dead Burn is the weakest of the franchise while still containing enough of what makes the series worthwhile to frustrate rather than disappoint entirely. Vaniček is clearly a capable filmmaker and there is genuine craft here alongside the genuine misses.

The Furious is a brutal, gory, creative, pacy, staggeringly well choreographed achievement and certainly one of the best martial arts action films I have seen… since well ever.

Superbly written and acted, backed up further by stunning cinematography that utilises the apartment location perfectly, The Invite is an equally tension-filled and hilarious ride that quickly becomes Wilde’s best work yet - in both the acting and directing department.

Pitfall is definitely worth a viewing, especially for that final act that really is quite kick ass, though the journey to get there leaves much to be desired.

Whilst it does feel quite patched together and rushed, Jackass: Best and Last is a gloriously puerile, camaraderie packed swan song that is a fitting farewell.