Overcoming its formulaic biopic/sports drama narrative traits and tropes, to present a genuinely interesting and inspiring story.

Cry Macho isn’t particularly remarkable but it has enough charm and solid technical prowess to carry it along.

It’s quite frightening just how algorithmically processed and safe Red Notice feels.

Led by an icy and magnetic Oscar Isaac performance and including a mixture of distinct stylistic choices from Schrader.

Antlers is a solid little horror flick that is worth seeking out.

Splatting onto the screen in a puddle of goofiness, self-awareness, screwball comedy antics and entertaining action set pieces.

The Many Saints Of Newark unfortunately suffers with its lacklustre plot, pacing and unsatisfactory depth.

Featuring one of the most memorable twists and antagonists in recent horror history and Wan’s unique directorial flair.

Prisoners Of The Ghostland is a disappointment that tries too hard to appeal to Cage’s now legendary off-kilter performance techniques.

Sunset Boulevard is nothing short of a masterpiece. A glance into a truly broken, sad yet unflinchingly glory hungry mind of a fallen icon.

Snake Eyes: G.I. Joe Origins just feels completely unnecessary and doesn’t even serve as a satisfying origin story for the character.

Stillwater is a largely plodding, unfocused and overlong affair, that falls into several genre clichés.

Riders of Justice is a unique, brutal, surprisingly emotionally engaging, bitingly funny and striking revenge tale.

The plot is utterly generic, the structure is messy and the immature humour largely misses.

Outside of some choice bloody moments and some genuinely great and high quality animation throughout, it is a forgettable mini-series.

Invites you to its dark comedy laced party that delves into the inevitable destruction that alcohol can bring to these lives.

A dull, predictable chore that wastes its location and race against the clock premise.