By Any Means is a rock solid crime drama, spearheaded to by strong performances and excellent chemistry between its two leads. It may tread a lot of familiar ground and could have had more depth to it, but its paced well and features jolts of intensity and action that keep it engaging.

Shaun the Sheep: The Beast of Mossy Bottom is a competent, good-looking, minor entry from Aardman. The craft is still high and small children will likely have a fine time.

With Zach Cregger’s revamped adaptation of the iconic infected horror video game series biting down on cinema screens, here is my ranking for the live action outings of the Resident Evil series (including the 2026 flick)!

Hope is a complete blast of a genre-bending action-horror-sci-fi-comedy creature feature from Na Hong-jin. Despite the excessive runtime, it moves at a breathless pace, packed with endlessly well choreographed action-scenes with extraordinary stuntwork, gore, absurd comedy and a likeable ensemble of memorable characters.

Sony Pictures have released the next trailer for How to Rob a Bank, starring Nicholas Hoult and Zoë Kravitz — Releasing in cinemas on November 13.

Runner is formulaic and tonally messy, yet Ritchson and Wilson’s odd-couple chemistry plus Waugh’s committed, often brutal action make it an easy, satisfying watch.

Resident Evil is without question the best video game adaptation we have had so far. The scenario of one dude having the worst night of his life trying to deliver this package is a perfect vehicle for a cavalcade of horrors. What a blast!

Etzler’s Bad Apples is a deliciously, uncomfortable ride, driven by magnetic performances in Ronan and Waller. It makes you laugh when you shouldn’t and squirm in your seat. Going in blind proves to be the best experience.

Discover The Lord of the Rings: The Fellowship of the Ring in Concert 25th anniversary UK & Ireland tour, featuring live orchestral performances, dates and venues.

Oasis: Don’t Look Back in Anger is an electric, well-made, emotionally effective record of a massive cultural moment that stops short of exploring much negative confrontation. As a concert film and a celebration it works. As a documentary about the Gallaghers feud and what it actually took to get this reunion to happen, you won't find that here.

Welcome to Raccoon City does at least retain the basic plot, characters and locations from the films, but execution from Johannes Roberts is unfortunately, a whole other matter.

Pressure is an interesting, tense, well paced and tight-knit war drama headed up by strong performances. It can feel a little repetitive in its presentation and structure, but it gets the job done with fascinating insight into this particular element of D-Day.

An aggressively awful end for the franchise and among one of the worst video-game films put to screen. A lazy, cynical and fundamentally broken finale that doesn't feel like a real ending while handing in some of the worst ever edited action I have ever had the displeasure of watching.

If you’re not a lover of heights, consider yourself warned. Fall 2 is enough to keep any thrill-seekers white-knuckled on the edge of their seat.

Plot-wise it may just be filler leading into the final film, but it is packed with stylishly over-the-top action, varied visuals and Jovovich actually putting in some effort again. High-art? Again, absolutely not. Brain-rotting fun? Hell yes.

Resident Evil: Afterlife is a colossal low for the franchise as a whole. It's not even Resident Evil anymore, it's just a loud, dumb and exhausting sci-fi action film.

Resident Evil: Extinction is a step-down from the previous films. Still dumb and has some fun with its Mad Max style setting, but it's starting to take the stupid story of Alice a bit too seriously.

With Raiders of the Lost Ark returning to cinemas for a one-week-only re-release, there’s no better time to revisit the highs and lows of this iconic franchise. Here's how we rank the Indiana Jones films.

Drawn Together knows its target audience and gives them exactly what they’re looking for, a forbidden romance born from danger.

In our exclusive video interview, Etzler discusses the inspiration behind Bad Apples, the film's exploration of morality and education, and why audiences may find themselves questioning their own reactions to Maria's decisions.