The Lost Bus is a devastating, true-to-life drama, with Stellar performances from all involved.

The Vile may tread familiar ground throughout its screenplay, but it delivers a damn good blend of 90s-esque thrills, a modern horror tone, and a smattering of seat-jerking scares.

It won’t be for everyone, but The Mastermind is an interesting cinematic achievement for Kelly Reichardt.

Hamnet will always be a special film because of the way it handles loss and grief; it knows death is never the end.

A constantly uncomfortable, darkly funny and extraordinarily intrusive assault on the senses from Mary Bronstein.

George Clooney is at his best. His and Noah Baumbach's dialogue is a match made in heaven

At the Place of Ghosts is a beautiful film to look at and has some intriguing ideas and an eerie tone but is held back by an undercooked and clashing screenplay.

Frankenstein is a near masterpiece of emotion, craft, and imagination that reanimates Mary Shelley’s tale for a new generation.

Roofman will make you laugh, make you gasp, and it just might make you cry, too.

Bugonia works tremendously as a thriller. It's insane in all the right ways.

Ballad of a Small Player is held back by a generic and undercooked screenplay, pacing problems, a jumpy structure, and a lack of engaging side characters.

Leo Woodall proves that he can be a leading man in his role as Niki. But overall, Tuner feels like an amalgamation of lots of other films rather than one in its own right.

Tron: Ares dazzles on the surface but collapses under its own digital flashiness. It’s gorgeous, sleek, visually stunning, and Nine Inch Nails' score is absolutely incredible.

Lurker is a sleek, tense, and deeply uncomfortable dive into modern obsession, powered by a phenomenal lead performance and sharp, confident direction.

Primitive War has a great atmosphere, and the group of lawless characters and prominent threats will keep you invested.

Exit 8 is certainly in the upper echelon of video game adaptations. The strong camerawork and direction, inspired visuals, solid performances, and layers of intrigue keep it engaging.

Wake Up Dead Man could be considered the best of the series because the mystery is compelling, and the message of love is strong.

Twinless is a tour de force. It can be uncomfortable to the point of cringe, but it can also be emotional to the point of tears.

Even though The Strangers: Chapter 2 manages to spark life in some areas, it’s not enough to maintain an emotional investment.

Play Dirty isn’t unwatchable. There are flashes of fun, Stanfield is a delight, and if you put it on in the background while you doomscroll, it’ll do the job.