Enthusiastic performances, bursts of charming wackiness and the cosy locations can’t stop this from being a significant chore to get through

The Holdovers has broken that Christmas classic spell as it instantly settles itself alongside films that will be remembered forever.

This has some gruesome horror visuals, a fun creepy setting. However, it's too slow, it's too familiar and it's too predictable.

Ferrari is a behemoth of a film that successfully uses Enzo Ferrari’s life to tell an interesting story.

Whether you're in floods of tears, or you end up revisiting it in your head and finding more meaning, this will not leave you unaffected.

Totally Killer doesn't do anything ground-breaking but it's mixture of slasher, comedy and sci-fi tropes make this a fun watch.

Scorsese proves with Killers of the Flower Moon that he is still working at the top of his game and offers a late career landmark feature.

Full of solid ideas and solid filmmaking, but misses the mark with it's storytelling and doesn't do enough to engage it's audience.

The perfect horror film to watch this spooky season blending classic horror genres and tropes so well you’ll be sleeping with the light on.

Transcending its predecessor in every way, it’s darker, funnier, and more self-aware. Most importantly, it sticks its ever-so-wicked landing

The Exorcist: Believer is an entertaining and satisfying sequel, even if there weren't enough scares to keep you awake at night.

Combining terrific performances and plenty of gut-wrenching gore, Saw X becomes the best sequel of the franchise to date.

A very solid if frequently familiar feeling sci-fi epic. The scope, world building and visual palette are absolutely fantastic.

Expend4bles is a film completely out of time and shockingly shoddy in its execution.

Dumb Money boasts a superb cast, sharp stylistic choices and balances the personal and business lives of those involved.

Final Summer attempts to pay homage to much-loved alumni of the camp slasher sub-genre but fails to bring anything new to the table.

An example of what grief can do to someone, and with the use of classic horror tropes, shows how frightening that grief can be.

A Haunting in Venice keeps up Poirot’s post 2017-cinematic streak on a decently entertaining path.

An emotionally stirring, engaging portrayal of love, life and time, that will no doubt resonate with every viewer on some level.

Fails to frighten, the script needs some work, the score thumping through the background sounds like you're playing a children's video game.