Scream is bound to impress the majority of its audience with witty one-liners, gory kills and a whole lot of nostalgia.

The 355 overall is unfortunately a largely average affair, though certainly not due to its ‘girl power’ message and energy.

There are moments that make it a heartwarming watch, but it's meandering story-line holds it back from being something memorable.

Mother/Android is a bland Netflix Sci-Fi flick that takes influence from many before it yet doesn't have enough flair of its own.

Licorice Pizza is a funny, sweet and lighthearted watch that is a great way to kick off cinema in 2022.

Titane is an assault on the senses which leaves an indelible mark. An incredible cinematic experience that simply cannot be missed.

Overall, The King’s Man has found itself to be a stereotypical prequel: disappointing.

What Lana Wachowski has achieved with The Matrix: Resurrections is no mean feat. It stands tall where many others, have fallen overly short.

Don't Look Up with its stacked cast takes that to another level, digging its heels into the society we live in.

Mahershala Ali is no doubt one of the best working actors out there and elevated this story immensely due to his presence on screen.

Kept afloat by great performances and well-written dialogue, this unfortunately falls short of Sorkin's previous directorial credits.

A beautifully shot and authentically uplifting movie that explores how important the things & people you love can be during a time of crisis

John Watts has pulled it off, providing a heartfelt, deeply emotional and an absolute blockbuster of a Marvel film.

The Hating Game may not add anything new to the enemies to lovers genre, yet its undeniably fun, fresh and sharp with decent performances.

Bringing the titular character to the big screen in all its live action glory and ultimately provides a crowd pleaser for all the family.

Unforgivable is another Netflix original that will be quickly forgotten about.

In an age of re-makes, was West Side Story worth the wait or will you forget about it as soon as you reach the car park?

Mike Mills explores a wide range of themes in his latest feature all through a beautiful monochromatic lense, C’mon C’mon.

Impressive in its bravery and its performances, though the script lacks the originality and flair to make it reach true greatness.

Resident Evil: Welcome to Raccoon City isn’t a bad adaptation at all, just a very mediocre one.