Proving that horror is well and truly back, and combined with an electric Cregger script, Weapons is set to fast become a genre classic – with a twist.

Guns Up delivers laughs, genuine thrills, and surprisingly touching family moments.

War of the Worlds is a woeful misfire, its bargain-bin effects, incoherent story, and Ice Cube’s misjudged performance sinking a promising premise.

Sudan, Remember Us is a profound and necessary film; one that speaks softly but leaves a thunderous echo.

American Trash is a raw and risk-taking debut from Robert LaSardo. It ditches genre clichés in favour of something far more meditative and emotionally honest.

The Bad Guys 2 is a fun, crazy and easy viewing that a younger audience certainly should enjoy.

A joyous, laugh-packed reboot, revitalizing the spoof genre with Neeson’s comedic brilliance and Schaffer’s inventive direction.

Tribe is a quietly powerful survival-psychological thriller that invites introspection and sensory immersion.

Just as competently acted as the first instalment but convoluting what was once a straightforward, digestible thriller.

A welcome homecoming that takes us to a gloriously well realised, alternate universe with ahem fantastic set designs and a quickly likeable cast.

A hauntingly beautiful debut that blends indie aesthetics with psychological horror and surrealist flair.

Featuring many unique ideas that elevate the familiar ones alongside them, Hellcat is a single location thrill ride that will likely impress audiences.

Jennifer Kaytin Robinson wants a taste, with her legacy sequel bringing bigger swings, and taking even bigger risks.

Redux Redux not only stands out from the crowd but gives the multiverse trope fresh new potential.

Bring Her Back is a harsh, raw and uncompromising experience that will prove skin-crawling for most viewers and genuinely tough to watch at points.

Tin Soldier fails to carve a niche in the crowded action-thriller landscape, joining the ranks of forgettable VOD fodder

Friendship is a wild, unsettling black-comedy, its balance of absurdist situations and intense dread making it a future cult staple.

The Bearded Girl is a competent coming-of-age story, putting filmmaker Jody Wilson on the map as one to pay attention to.

Ziam doesn’t break ground, or change the genre in any way, as far as zombie flicks go it plays it safe. Nevertheless, its fast, bloodthirsty and punches zombies in face.

Oh, Hi! isn’t trying to blow your mind or reinvent the romantic comedy wheel, and that’s what makes it work.