Wayward is a strange, stylish, and compelling addition to Netflix’s fall line-up. It’s not afraid to unsettle, not afraid to make you laugh, and certainly not afraid to leave you thinking.

Joe Hollow’s debut as writer-director-star feels personal, messy, and uncompromising. And because of this, Flesh of the Unforgiven is not horror for everyone.

Welcome to 190 Lorimer's greatest strength lies in making everyday frustrations feel entertaining, without sanding down the edges that make them believable.

Baby Brother is proof of what independent filmmakers can achieve with passion, resourcefulness, and a story worth telling.

With themes of obsession, longing, and intrusion, Orchid is a haunting addition to the indie horror landscape.

In this special bonus episode, host Romey Norton brings you two exclusive interviews with the stars of the chilling new film River of Blood.

Love Con Revenge represents Netflix's true crime programming at its most socially conscious and practically useful.

King’s Cup is a heartfelt, music-fuelled indie that wears its emotions on its sleeve.

For fans of raw revenge cinema, and for those intrigued by the collision of found footage and action, it’s a refreshing jolt of energy.

A Stranger in the Woods stands out as a smart, slow-burning take on found footage horror.

It's the kind of hand-drawn animated feature that reminds us why this medium remains so powerful and necessary.

Fluxx is ambitious, stylish, and unsettling. This film is for an audience who appreciates bold, unconventional storytelling.

Martin Melnick's psychological horror examines maternal loss through a supernatural lens, but at times, it struggles to balance its ambitious emotional depths.

The Blood of Saltville may not be perfect, but it's the kind of thoughtful, regionally flavoured thriller that reminds us why independent cinema matters.

A Scorching Revenge Horror-Comedy That Transforms Neighborly Nosiness Into Blood-Soaked Brilliance.

Guns Up delivers laughs, genuine thrills, and surprisingly touching family moments.

Sudan, Remember Us is a profound and necessary film; one that speaks softly but leaves a thunderous echo.

American Trash is a raw and risk-taking debut from Robert LaSardo. It ditches genre clichés in favour of something far more meditative and emotionally honest.

Tribe is a quietly powerful survival-psychological thriller that invites introspection and sensory immersion.

A hauntingly beautiful debut that blends indie aesthetics with psychological horror and surrealist flair.