Eddington is a bold, brutal, and hilarious time capsule of one of the strangest, ugliest, and most ridiculous chapters of recent history.

Nobody 2 may be more of the same, but when “the same” is this competent and enjoyable, sometimes that’s enough.

The Pickup is a disposable misfire. It's a nostalgic nod to ‘90s comedies buried under a weak script, uneven tone, flat visuals and wasted cast.

War of the Worlds is a woeful misfire, its bargain-bin effects, incoherent story, and Ice Cube’s misjudged performance sinking a promising premise.

A joyous, laugh-packed reboot, revitalizing the spoof genre with Neeson’s comedic brilliance and Schaffer’s inventive direction.

In this episode of the Film Focus Online Podcast, host Alex leads a lively discussion with guests Jack and Dan about comic book movies in our latest episode of 'The Film Vault'.

Tin Soldier fails to carve a niche in the crowded action-thriller landscape, joining the ranks of forgettable VOD fodder

Friendship is a wild, unsettling black-comedy, its balance of absurdist situations and intense dread making it a future cult staple.

A frustrating miss, more setup than substance, in true Marvel fashion.

A silly, delightful action-comedy with constantly funny chemistry between the charismatic duo of Cena and Elba, stylish action, and an ‘80s throwback charm.

M3GAN 2.0 stumbles under its own chaotic mix of tones, landing as a flawed yet entertaining step up from its predecessor.

A safe, simple tale and juvenile humour make it a middling Pixar effort, far from their peak. Elio is a pleasant cosmic jaunt, just not one that sticks.

With 28 Years Later coming to cinemas, now’s the perfect time to revisit (or discover) some of the undead gems that laid the groundwork for this long-awaited sequel.

A middling drama-thriller, saved by Julianne Moore and Sydney Sweeney’s strong performances but sunk by a clichéd, unsatisfying plot that veers into silly territory.

How to Train Your Dragon is a breath-taking live-action triumph that soars with heart, spectacle, and fidelity to its animated roots.

Deep Cover is a thoroughly disappointing crime-comedy that wastes a talented cast and a promising improv premise on painfully unfunny material and flat direction.

The Grand Budapest Hotel is Wes Anderson firing on all cylinders, a dazzling reminder of why his style can work and make for unique comedies with pathos and unique style.

Two contestants battle it out to get their film to be inducted into 'The Film Vault'. Episode 2 focus' on Wes Anderson, the films in question 'The Grand Budapest Hotel' and 'Moonrise Kingdom'. Who will come out on top?

This picaresque caper delivers fun, fast-paced comedy and visual dazzle, with a killer cast, but its muddled plot and familiar tricks feel like Anderson on autopilot.

The Surrender is a solid debut, a horror-drama that marries authentic grief to unhinged body-horror with two knockout performances at its core.