Ballad of a Small Player is held back by a generic and undercooked screenplay, pacing problems, a jumpy structure, and a lack of engaging side characters.

Leo Woodall proves that he can be a leading man in his role as Niki. But overall, Tuner feels like an amalgamation of lots of other films rather than one in its own right.

Tron: Ares dazzles on the surface but collapses under its own digital flashiness. It’s gorgeous, sleek, visually stunning, and Nine Inch Nails' score is absolutely incredible.

Lurker is a sleek, tense, and deeply uncomfortable dive into modern obsession, powered by a phenomenal lead performance and sharp, confident direction.

Primitive War has a great atmosphere, and the group of lawless characters and prominent threats will keep you invested.

Exit 8 is certainly in the upper echelon of video game adaptations. The strong camerawork and direction, inspired visuals, solid performances, and layers of intrigue keep it engaging.

Wake Up Dead Man could be considered the best of the series because the mystery is compelling, and the message of love is strong.

Twinless is a tour de force. It can be uncomfortable to the point of cringe, but it can also be emotional to the point of tears.

In our exclusive interview, director Barnaby Roper and acclaimed actor Burn Gorman sit down with Film Focus Online’s Romey Norton to pull back the curtain on their haunting new project.

Apple TV+ rolls out an action-packed week with the global premiere of The Lost Bus, plus new episodes from some fan favourites and the launch of a fresh animated series for all ages.

Even though The Strangers: Chapter 2 manages to spark life in some areas, it’s not enough to maintain an emotional investment.

Play Dirty isn’t unwatchable. There are flashes of fun, Stanfield is a delight, and if you put it on in the background while you doomscroll, it’ll do the job.

Witchboard is a polarizing film, containing elements that suffice an enjoyable experience but that didn’t distract you from the underlying issues leaving you unsatisfied.

Shudder is going all-in on Halloween season this October with found footage frights, drag queens of doom, pumpkin ambience, occult thrillers and live horror celebrations.

October is here, and Sky and NOW are rolling out an impressive mix of original dramas, chilling horror, must-see documentaries, returning favourites, and big-screen hits on Sky Cinema.

Spooky season has officially arrived, and STUDIOCANAL Presents is celebrating with a Halloween-ready line-up packed with demonic possessions, Hammer Horror mayhem, and a deep dive into one of the century’s most chilling ghost stories.

Unfortunately, the pacing is off, the dialogue grates, the story is filled with ‘seen it all before’ traits and the characters (or extended versions of the actors’ selves) just aren’t particularly interesting.

Although some segments of the anthology deliver weak performances and a repetitive plot, V/H/S/Halloween is an absolute blast.

She Loved Blossoms More is a bold, genre-defying exploration of grief. The film offers a haunting experience like a half-remembered dream.

Good Boy refuses to follow the norm and produces a truly unique horror story within such a congested genre - a trailblazing testament of what can be done with a small budget and a fantastic concept.