Backrooms is a brilliantly disturbing triumph. Kane Parsons has successfully upended mainstream horror by proving that emptiness, silence, and a simple hum can be infinitely more terrifying than any monster in the dark.

In the realm of horror, a stretch of asphalt is merely a conveyor belt of fresh victims. Passenger (2026) aims to transform the romanticized allure of modern "van life" into a relentless, claustrophobic nightmare.

Every month, Shudder delivers a fresh wave of nightmares, cult curiosities, and must-see genre premieres for horror fans to sink their teeth into. Discover what's coming to Shudder this June!

Although The Yeti boasts a solid cast, ample gore and an impressive visual style, the slow pace and lack of intrigue within the storyline prevents it from truly landing.

A dauntingly intense, deeply original psychological thriller that handles a sensitive concept with lethal precision. Curry Barker delivers one of the most vital, conversation-starting horror films of the year.

Deep Water is a film that functions like a mechanical predator: it’s lean, it’s mean, and it’s designed with a singular, crowd-pleasing focus

Hokum is haunting, layered, and expertly deceptive, leaving you feeling as if you’ve just woken from a fever dream. It’s a rare achievement, balancing a high-concept folk horror with a deeply personal character study.

Over the decades, Jason has been portrayed by a variety of actors and stuntmen, each adding a unique physical language to the oddity while his mask became its own evolving character. Here’s a deep dive into one of horror cinemas most resilient titans.

Sony Pictures have released the first teaser trailer for Zach Cregger's Resident Evil — Coming to cinemas September 18, 2026.

May on Shudder cracks open the crypt with a line-up steeped in dread, dark humour, and cult horror nostalgia. Discover what's streaming on Shudder this May.

Thrash succeeds at being a gripping survival horror, that blends the terrifying reality of a natural disaster with the teeth of the ocean.

Undertone is a slow burning, unique horror film that understands what we hear, is far more terrifying than what we can see.

Rehashing a tried-and-tested IP is a tale as old as time, but he manages to rehash, and slash, and bite, and slice, and squelch his way to something simultaneously fresh and rotten.

Weird, wacky and wonderful from start to finish, Dead Lover might be an uncomfortable watch for some in vulgarity, comedy and tone, but will give those who enjoy unique, freaky films an unforgettable time.

The Cure leaves behind more questions than answers - feeling under explored and safe. Viewers will either love or hate this film. Ultimately, it tries to leave you in discomfort. Because sometimes, the most terrifying discovery isn’t what’s wrong with you, it’s why.

Featuring two memorable performances from Ferreira and Montgomery, Faces of Death is a thought-provoking horror for the modern age, offering twisted scares and a frightening villain.

April on Shudder sharpens its blade with a lean but lethal line-up, delivering twisted fantasy, psychological torment, and survival horror with a vicious edge.

Jitters shows promising ideas and features an over-the-top villain, however it is painfully generic in the writing of its characters and lacks any genuine scares, thrills or particular gross out horrific moments.

Paramount Pictures have released the new trailer for Scary Movie 6 — The horror-parody franchise returns to cinemas on June 12, 2026.

The Scream franchise marks a staggering 30-year legacy, with Neve returning as the pinnacle final girl and Williamson in the directing chair, it’s a poetic homecoming. Let’s look back over the 3-decade span of a culturally adored franchise.