Streaming once promised to revolutionise how we watch films and television, but rising subscription costs, declining quality and endless content have left audiences frustrated. With cinemas embracing premium formats and the big-screen experience, could streaming fatigue be driving audiences back?

This weekend at the box office saw the opening of several new films to cinemas, including You Can See Everything, Street Fighter, Whalefall and Jailer 2. How did they all do at the box office?

The Social Reckoning has struggled to replicate the success of The Social Network, opening to disappointing box office numbers and mixed reviews. From the absence of David Fincher and Jesse Eisenberg to changing audience attitudes towards Facebook, what went wrong for the long-awaited follow-up?

With Brad Caleb Kane’s upcoming prequel series Crystal Lake set to return fans to horror’s favourite Camp, there is no better time to dust off the physical media shelf, sharpen the machete, and look back at the most enduring slasher franchise in cinema history.

When cinemas closed and Hollywood's biggest blockbusters faced delays, horror found a way to thrive. From the box office success of The Invisible Man to the streaming phenomenon Host, discover how the genre defied expectations, embraced digital platforms and helped keep cinema alive in 2020.

Greta Gerwig is taking audiences back to the beginning of Narnia with The Magician’s Nephew. But why start with the sixth published book rather than the familiar The Lion, the Witch and the Wardrobe? We explore the reasoning behind her decision, the debate over the books' reading order and what it could mean for the franchise's future.