Supergirl is a solid second film for the DCU and whilst it does suffer from a messy structure and dodgy CGI and action lighting, it absolutely soars when it comes to Alcock’s performance.

Hungry treats its characters like real people and its monster like an absolute juggernaut, proving that the horror genre has a terrifying new heavyweight champion.

Toy Story 5 is another funny, well animated and genuinely heartfelt entry that simply cannot match the heights of what came before it and weighed down by a slightly dated central message.

Thanks to spectacular central performances, a sharp script that balances tears with genuine laughter, and an ending sequence that will absolutely leave a lump in your throat, its predictability never weakens its impact. Voicemails for Isabelle is a beautifully shot, deeply moving piece of cinema that provides exactly what your heart needs.

Despite its promising premise, Chum sinks faster than it can swim with an uninspired narrative leaving the film dead in the water.